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These include the theme for Frankenstein's monster and another statement of Dracula's theme. It states some of Silvestri's action ideas in choral, orchestral and percussive majesty.
It ends in an action theme that segues straight into the next track.īurn It Down! is an action piece played during the scene, still in black and white, in which the mill is burned and Frankenstein's monster falls into the flames holding his creator's body. Summer blockbusters - and the formulaic music that accompanies them - may be the gastronomical equivalent of fast food, but junk that's delivered this effortlessly and professionally deserves some kind of award.Played over the black-and-white opening of the film, this short track mostly features Count Dracula's theme, a brutally rhythmic idea with powerful brass and choral chanting. The larger-than-life aspects of the film's monster-exterminating protagonist and his nemeses are mirrored by the gargantuan choral arrangements that appear on nearly every track, painting each frame in gothic grays and snowy whites - even 'Transylvanian Horses' banjo appears threatening. Knows that popcorn tastes better when the walls of the theater are buckling, and his decision to omit anything remotely pastoral on the audio end of the spectrum makes for a heart-pumping - albeit forgettable - experience. It's only after repeated spins that the veteran composer's voice can be heard over the unrelenting charge of brass and timpanis, revealing a man enthralled with needle-burying decibels, hurling his baton into the air with maniacal laughter. On first listen, 's score for Mummy director ' vampire flick Van Helsing is an arc-less barrage of cartoon bombast that beats the listener into submission from its very first cue. Additional credits Besides Alan Silvestri, who co-produced the album in addition to composing it, these additional credits are given on the back of the CD cover: Produced by. His summary is that 'Van Helsing is one monumentally bold and wickedly exciting work', however. Like the other two reviewers, he points out the lack of softer underscore on the album, but also finds that Van Helsing's guitar-accompanied theme 'sounds remarkably strange in context' and that Silvestri broke a fundamental rule of film scoring by giving the title character the weakest theme.
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Editor Christian Clemmenson praises the score for 'allowing the force of a full orchestra and adult choir to set a high standard for summer action once again,' and particularly enjoyed the cue Reunited, which he describes as 'nothing less than lovely'.
On, Dan Goldwasser calls the score 'one heck of an album', saying of Transylvania 1887 especially: 'It's grand, it's epic, and it's a great start to the album.' He also points out that 'the sequencing of the album leaves just a little to be desired', bemoaning the scant treatment of the love theme that 'factored so heavily in the film'.
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He does admit that 'the score is unbelievably loud and hyperactive with virtually no moments of rest', dryly remarking that 'a free bottle of aspirin may have been more appropriate' as a freebie than the offered mini poster.
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Movie Music UK's Peter Simons says that Silvestri has delivered 'what may be the loudest score of the year', but that he 'makes this kind of music sound good.infusing the score with a textural richness and compositional quality that is quite rare these days'.
4:23 Critical reception Generally well received by fans and critics alike, three major score-reviewing websites all rated it at four out of five stars. A final statement of Van Helsing's theme completes the album. It introduces a new theme, a love theme for Van Helsing and Anna, that is performed on solo horn and strings, with a powerful variation following with some heartbeat-resembling deep percussion. Reunited Reunited, a respite from the action, is the music played as Van Helsing stands on the cliff and sees Anna in heaven, as well as Frankenstein's monster sailing off on his raft. Final Battle As the title suggests, Final Battle is the film's longest action piece, featuring a lengthy, relentless recap of all the film's action themes, including Dracula's, Frankenstein's, the brides' and the swashbuckling theme.
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